Stranger Things season 4 is not the first time Netflix has split up TV shows into different parts or volumes. Netflix probably knows this, but hasn’t admitted it Though it isn’t impossible, as shows like Stranger Things have proven. In short, it becomes harder to drum up hype. You have 10 seconds to come up with a theory about Vecna and what he’s about, and before you can say half a sentence the next episode has begun and you need to start paying attention to what’s on screen. Watching an episode one after the other also reduces the amount of time people have to discuss the show. Talking about a show with people who aren’t at the exact same point as you runs the risk of things getting spoiled. ![]() While binge-watching gives you the convenience of being able to watch at your own pace, it then becomes much harder to gauge what point people are at. The best thing a show can do is make people want to talk about it, especially to people who haven’t tuned in before. The watercooler may be more figurative in the age of social media, but principle is still there. The weekly release means there’s an even playing field for the whole audience, as not everyone watches at the same speed, and that gives them the ability to talk about it amongst themselves. With both WandaVision and The Mandalorian, the wait was part of the viewing experience, and played almost as important a role as the show itself. Weekly releases change how a show is discussed We called The Child by the name "baby Yoda," and people went absolutely nuts over this adorable green gremlin over the coming weeks. Mandalorian did it too, ending the first episode with the reveal of the then-unnamed Grogu. The internet was abound with theories about WandaVision and what was going to happen week to week, and even Tom Holland admitted (opens in new tab) that there was an immense amount of buzz each week on the set of Spider-Man: No Way Home. Had Disney dropped it all in one go, people could have watched the whole thing over the course of a weekend, and immediately canceled their subscription.Ī weekly release also means there’s continuity, and it’s easier to drum up hype about what’s going on. A great show spread out over six to ten weeks will let you keep hold of subscribers for a longer period of time.Ī show like The Mandalorian requires someone to pay for three months of Disney Plus if they want to stay completely up to date and lessen the risk of spoilers (though it does encourage some to wait until the whole season has concluded to sign up or resubscribe). If anything, the weekly release schedule is more important to networks in the streaming age. I can’t help but think that this was done deliberately, and that it’s a mistake. ![]() ![]() ![]() The kind of revelation that would have you scrambling to find out what happens next.īut you can’t do that because Netflix is withholding the final two episodes to watch at a later date. That is a cliffhanger worthy of a season finale, or at the very least a mid-season break, to ensure people come back for the future premiere. He was only stopped by El, who used her burgeoning powers to exile him to what appears to be a primordial version of the Upside Down. One (real name Henry Creel) manipulated Eleven into removing an implant that impaired his powers, so he was able to go on a rampage and slaughter every other person in Hawkins National Laboratory's Rainbow Room.
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